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Saturday, August 2, 2014

All-Powerful Dark Rulers


The fantasy genre is full of stories where one (or a group, or race) of great power rules over a kingdom or empire with malice and corruption. The subjects are forced to live under the cruel, heavy hand of the dark rulers, and there’s always mention of a group of brave souls who attempted to rise up against the powers-that-be in hopes to overthrow the reigning darkness—but they failed. And so begins the story of a chosen one, and those that follow, who rises and succeeds against the evil power.

“The Lady” from the Chronicles of the Black Company betrayed her powerful, evil husband, the Dominator, to control and dominate the Northern Empire herself. She is a cruel empress, destroying all who oppose her. The Black Company, who were employed by the Lady, later change their course to prepare to fight against the Lady.

My all-time favorite, Emperor Palpatine, is the one Dark Lord of the Sith, who took the ancient principles of the Sith, the rule of two (one to harness the power of the darkside, and one to crave it), and patiently and skillfully took over the galaxy—creating the first galactic empire. With his apprentice, Darth Vader, Palpatine holds the galaxy in his powerful clutches, yet we see the Rebel Alliance defy his rule as we read (or watch, in most cases) in what’s called the original trilogy of the Star Wars saga.

In the Halfblood Chronicles, the all-powerful Elvenlords long ago entered the world through the Great Portal from another dimension and enslaved humankind, making concubines of choice women and gladiators of choice men, and oppressing all life forms to their will. Shana, half elven and half human, leads a band of intelligent dragons, half-blood wizards, and escaped human slaves to undo centuries of cruel elven reign.   

Like the Halfblood Chronicles, the Annals of Drakis takes place in a world ruled by cruel elves, yet they are not tall, fair, and good-looking like the Elvenlords of the Halfblood Chronicles. These are beings with (mostly) dark skin, elongated heads, and sharp teeth, enslaving not just humans, but races of all kinds—controlling them with aether magic to do their bidding.

In the original Mistborn trilogy, the first book, The Final Empire, gives us the Lord Ruler, a seemingly all-powerful, god-like man who controls the known empire. All who even attempt to oppose him meet their demise.

I could go on with many examples in fantasy fiction of seemingly all-powerful dark rulers. The genre is laded with them. It’s not too difficult to understand why authors bring to life characters with great power who are nothing but ruthless and dominating. It brings about conflict, and heightens the stakes for the “good” characters that we will root for.

But why do authors create ruling characters who possess great powers who are malevolent? Why don’t they make ruling characters with great powers who are benevolent? Stepping aside from the reasoning that evil characters with great powers makes for a more climatic story, could it be that writers have rested on the fact that no man/woman, or being, is able to be all-good if they were to possess great powers? The writer may not see this consciously, but it’s just a rooted fact within the human psyche. Anyone harnessing great powers will succumb to their dark side, and force their will upon the weaker to advance their own cause.

So what can be said of such characters? Do they reflect a reality that, in the words of John Dalberg-Acton, “absolute power corrupts absolutely?” Putting Acton’s words more in context, he said: “Power tends to corrupt, and absolute power corrupts absolutely. Great men are almost always bad men, even when they exercise influence and not authority, still more when you superadd the tendency or the certainty of corruption by authority.” An example of this in fantasy fiction can be found in The Neverending Story. The main character, Bastian, becomes corrupted after obtaining the talisman, AURYN, given to him by the Childlike Empress. AURYN gave him the power to wish for whatever he wanted in the land of Fantastica. Consumed by the world he created with his wishes—creating havoc for the creatures of Fantastica—Bastian comes to the brink of wanting to conquer the Childlike Empress so that he can become the Childlike Emperor.

What would a work of fantasy fiction be like if the tables had turned? What if the all-powerful ruler was benevolent and good, ruling his people with peace, kindness and justice, but evil characters attempt to rise up to subdue them? Makes you wonder how such a story could work.

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Thursday, June 26, 2014

Discussion Panel on Magic Systems - VIDEO


Below is a video of a panel of fantasy authors at the Phoenix Comicon earlier this month discussing magic systems. The video quality is not that good, but the discussion is perfect. The authors are: Jaye Wells, Myke Cole, Jim Butcher, Sam Sykes, Stephen Blackmoore and Patrick Rothfuss.

Tuesday, June 17, 2014

Inspirations of Fantasy


We can say that all writers collect the seeds acquired from an assortment of influences and plant them in their gardens of literary creativity. Not only that, but there are the nuggets of life’s experiences and the flow of imagination that fuels the drive of the writer’s story. Fantasy fiction is that one facet of speculative fiction where not only the fantastic is given liberty to reign, but an author can interject a riot of influences in a pliable universe.

Religion and mythology inspired ancient epics like Gilgamesh, The Odyssey and Beowulf. Fairy tales sprouted from the folklore of legends and imaginative narratives of morals, humor and fears. Without these foundations, modern fantasy would not exist.

The titan of modern fantasy, J.R.R. Tolkien, poured all of his inspirations, passions and experiences into his creation. The Hobbit, The Lord of the Rings, and all other Middle-earth companion books, would not have existed if it weren’t for the intelligence, knowledge, faith and experiences of Tolkien bleeding into his work as he spent years building a world that would dominate the genre for decades. It wasn’t only mythology and early works of fantasy that inspired Tolkien’s epic, but it was his knowledge of history, language, culture, as well as his service in World War I. These motivations, joined with masterful storytelling, are what produced the saga adored by millions today.

I think what gives George R.R. Martin’s work of A Song of Ice and Fire such great intrigue and grandeur is Martin’s inspiration from historical events like the War of the Roses, and the historical fiction of French author Maurice Druon. Nothing is more fascinating than the accounts of history—true stories of real people and momentous events of the past. That’s what I’ve come to enjoy in fantasy—books that have some sort of inspiration from history and/or real life situations, making for a more believable fictional world.

Similar to the ancient epics, modern fantasy continues to be inspired by the faith and beliefs of authors. C.S. Lewis’ Christianity was a key influence on his Chronicles of Narnia; with the result of a messianic lion (Aslan). Philip Pullman’s His Dark Materials produced a work of fiction that drew upon John Milton’s Paradise Lost to tell a story with Atheist overtones. Likewise, Brandon Sanderson’s many works of fantasy show reflections of Mormon ideas, such as mortals attaining divinity; and it continues in his largest epic yet—The Stormlight Archive.

Sometimes it’s simply just the activities and occupations of a writer’s life that sparks an imaginative epic. Though the love of fantasy fiction altogether can be the basis of inspiration for all fantasy authors, nothing forms the author’s story like that in which he/she is familiar with. Patrick Rothfuss’ life and experiences in college clearly comes through, masterfully, in his Kingkiller Chronicle, giving readers more than just a heroic adventure story. Before writing fulltime, the late Sara Douglass was a registered nurse, which gave her the ability to write some pretty graphic scenes of brutal childbirth and what happens to the human body in certain conditions. Playing role-playing games like AD&D (Advanced Dungeons & Dragons) set the creative wheels spinning for Steven Erikson. He and a friend simply wanted to build a better and stronger role-playing universe, and thus the Malazan Empire was created, along with a whole cast of characters and histories, which would evolve into the Malazan Book of the Fallen series.

Obviously, fantasy stories can come from a vast pool of inspirations; however, it seems too often that writers draw their inspirations from the same sources. It can be nice seeing different renderings of similar settings and ideas in the genre, but it can get stale after awhile. We are definitely in a new age where most readers are anticipating something “original” in fantasy. If writers are dipping into the same limited reservoir of ideas, then you tend to have a stagnant genre. Yet when writers venture out a little and wade in a pool of fresh concepts—marrying it with exceptional storytelling—then the fantasy genre, once again, can celebrate another landmark in its great frontier.

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History in Fantasy - Part 2
History in Fantasy - Part 3   

Friday, May 16, 2014

Brandon Sanderson & Brian McClellan on Google+ Hangouts - VIDEO



For those of you who might have missed it, below is a nice discussion about writing epic fantasy, between authors Brandon Sanderson & Brian McClellan, hosted by Orbit Books. Sanderson kind of takes over the discussion (which can be slightly annoying), but a lot of the things he has to say holds its worth. It’s neat hearing a seasoned author (Sanderson) and a budding fantasy writer (McClellan) discussing the genre and their writing. So if you have an hour to spare, sit back and enjoy.



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Sunday, April 27, 2014

Hope in Fantasy



Author Katherine Addison (pseudonym for Sarah Monette) wrote an interesting article on the A Dribble of Ink blog about hope in fantasy. Click here to view it.

In the same context, Tor.com posted a small list of book recommendations for folks who may be looking to take a break from grimdark. Click here to view it.


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Saturday, April 26, 2014

Pick Up the Pace


Over the past year or so, I’ve really tackled some long books (some people call them door stoppers); and at the end of the day I would say that they were too long—even the ones that I’ve enjoyed. In my opinion, these types of stories get bogged down with too much world-building and/or character-building—which can be good, but they slow the story down. The problem with some of these books are that they are the first book in a series (by talented, acclaimed authors). Why are established fantasy writers wasting time building a world and characters without giving the readers a good, gripping story in the process? Is it that they think their new idea for a world and its magic system are worth hundreds of pages instead of an intriguing story?

I just finished a long book by one of these talented, acclaimed authors, and it’s like nothing really happened throughout the entire book. It seemed to be a regurgitation of the same thing over and over, which I guess was supposed to give the reader the sensation that we are really experiencing certain characters’ growth—but it did not work for me. And it seemed to just be chapter after chapter of world-building. Introductory books like this quench my desire to read on to the next big volume in the series.

I won’t name any of the books that I’ve thought lowly of, as I believe that everyone is entitled to their own opinion; and everyone has different tastes. Personally, my take is that an author should really work to put forth a story that lays out a pace that keeps the story moving. Of course, I’m not talking about the typical fast-paced book where the characters seem two-dimensional and the story is not worth remembering. I’m referring to books that are published to pull readers into a series of large volumes meant to be epic and engrossing, with epic world-building and strong characters. But if the characters—or what the characters are experiencing—in the story do nothing worth caring about, then it’s like watching a boat sitting in the middle of the water just going around in circles, and around in circles, and around in circles... That’s not good pacing. That’s boring. The reason that most of us read fantasy fiction is so that we can experience (through the life of the characters) a lifestyle that is more than monotonous—more extraordinary than our own.

When reading Stephen King’s It, I thought the book was too long, but I could not stop enjoying it. The characters were so interesting and their extreme experiences throughout the entire book kept you moving with the engrossing flood of happenings within the story. It was good characters with good pacing that got me through.

Though I enjoyed the first two books in the A Song of Ice and Fire series, the pacing in A Storm of Swords almost made the book feel shorter than the first two, but it was actually longer. Martin picked up the pace a little more in that book, and I found myself enjoying the (dark) journey.

Apart from the long books, I found the pacing in Philip Pullman’s The Golden Compass (Northern Lights), one of the best well-paced, intelligent pieces of fantasy fiction that I have ever read. However, I felt the latter books in the series lost such a pace. 

I’ve really enjoyed The Kingkiller Chronicle; however, I’m hoping author Patrick Rothfuss picks up the pace in the third and final book of the series—yet to be released.

My fear with a lot of long books is that good pacing would be lacking. It’s a lot of wasted time (for me) to invest in, if the story’s pacing is dowsed with other non-essentials. Again, I’m not expecting a Star Wars-like read, but just something that forces me to follow to the endlike E.T. picking up Reese’s Pieces along the trail to Elliot’s house (Oh, and what wonders he found in that house).    


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Epic Characters

Monday, March 31, 2014

Epic Characters


Probably the most gratifying thing about being a reader of fiction is when the characters take you by the hand and bring you into their world—into their fears, their struggles, their happiness, and their conflict. Characters that are likeable can make for a pleasurable read. Characters that are dull or trite can make for a tedious read. But characters that are epic make a memorable read.

Epic characters are unforgettable. They’re those fictitious entities that force you to believe that they actually exist, and that the world they inhabit—in all its weirdness and impossibilities—is true in every sense.

Characters can generally appear epic in two different ways. The first is when a character (or a story of characters) is fresh and groundbreaking in its time. For example, Tarzan and Conan are not deep, rounded characters, but they were new and exciting creations in their period. They became beloved and favored throughout generations—to the point of being adapted multiple times; and we all know who they are today.

The second aspect of the epic character is a character that stands out within a grand tale/story. The characters from The Lord of the Rings, like Frodo Baggins, Gandalf and Gollum, are probably the most substantial characters in fantasy literature. In more modern fantasy, Tyrion Lannister from George R.R. Martin’s A Song of Ice and Fire saga is one of many characters from the series that stands out as unforgettable. Kvothe from Patrick Rothfuss’ Kingkiller Chronicle is memorable within a unique fantasy series.

Most of us would not hesitate to protect our best friend or loved one from harm. We rejoice when they succeed, and are heavy-hearted when they fail. People in general do not give much thought when they hear a disturbing story on the news about someone who has gone missing, or was wounded or killed in some terrible ordeal. Yes, our hearts may go out to them, but when those people are strangers to us, there is no great effect on our emotions, our minds or our lives. But when it’s someone that we know and love, then our whole world is shaken. Taking from that example—on a far, far lesser scale—we, as readers, respond to the characters that we encounter within the pages of an engrossing book in like manner. We may experience various emotions as we begin to love (or sometimes hate) those characters that set a story ablaze with their very presence.

Just think of the times when you read fantasy fiction and the characters stole your attention from the real world and pulled you into theirs; and, afterward, you are left thinking about them—even years later. It‘s those epic characters that draw you to want to read their story over and over. It’s those epic characters that brought life to a world that doesn’t even exist, except within your imagination (with the skill and aid of the author). It’s those epic characters that make you smile at the thought of them, knowing that they brought a moment of joy to your life.       

A reader can find delight in going on an adventure of mystery and magic with Harry Potter; or wandering the land of Narnia in hopes to encounter the wonderful presence of Aslan. And such characters will make you want to come back again—even as years have passed and you look to see the next generation cherishing the very tales that brought joy to you.

Possibly, every writer of fantasy creates a character that they feel is epic, but, in truth, a writer has no way of knowing how their creation will come to life within the imagination of the reader, for that’s where the process begins. No writer can dictate that their character is epic. It is the mass of readers, as a whole, that meets the character and says, “I will follow this character ‘til the end…and I will not forget them.”