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Showing posts with label Dark Elves. Show all posts
Showing posts with label Dark Elves. Show all posts

Saturday, August 2, 2014

All-Powerful Dark Rulers


The fantasy genre is full of stories where one (or a group, or race) of great power rules over a kingdom or empire with malice and corruption. The subjects are forced to live under the cruel, heavy hand of the dark rulers, and there’s always mention of a group of brave souls who attempted to rise up against the powers-that-be in hopes to overthrow the reigning darkness—but they failed. And so begins the story of a chosen one, and those that follow, who rises and succeeds against the evil power.

“The Lady” from the Chronicles of the Black Company betrayed her powerful, evil husband, the Dominator, to control and dominate the Northern Empire herself. She is a cruel empress, destroying all who oppose her. The Black Company, who were employed by the Lady, later change their course to prepare to fight against the Lady.

My all-time favorite, Emperor Palpatine, is the one Dark Lord of the Sith, who took the ancient principles of the Sith, the rule of two (one to harness the power of the darkside, and one to crave it), and patiently and skillfully took over the galaxy—creating the first galactic empire. With his apprentice, Darth Vader, Palpatine holds the galaxy in his powerful clutches, yet we see the Rebel Alliance defy his rule as we read (or watch, in most cases) in what’s called the original trilogy of the Star Wars saga.

In the Halfblood Chronicles, the all-powerful Elvenlords long ago entered the world through the Great Portal from another dimension and enslaved humankind, making concubines of choice women and gladiators of choice men, and oppressing all life forms to their will. Shana, half elven and half human, leads a band of intelligent dragons, half-blood wizards, and escaped human slaves to undo centuries of cruel elven reign.   

Like the Halfblood Chronicles, the Annals of Drakis takes place in a world ruled by cruel elves, yet they are not tall, fair, and good-looking like the Elvenlords of the Halfblood Chronicles. These are beings with (mostly) dark skin, elongated heads, and sharp teeth, enslaving not just humans, but races of all kinds—controlling them with aether magic to do their bidding.

In the original Mistborn trilogy, the first book, The Final Empire, gives us the Lord Ruler, a seemingly all-powerful, god-like man who controls the known empire. All who even attempt to oppose him meet their demise.

I could go on with many examples in fantasy fiction of seemingly all-powerful dark rulers. The genre is laded with them. It’s not too difficult to understand why authors bring to life characters with great power who are nothing but ruthless and dominating. It brings about conflict, and heightens the stakes for the “good” characters that we will root for.

But why do authors create ruling characters who possess great powers who are malevolent? Why don’t they make ruling characters with great powers who are benevolent? Stepping aside from the reasoning that evil characters with great powers makes for a more climatic story, could it be that writers have rested on the fact that no man/woman, or being, is able to be all-good if they were to possess great powers? The writer may not see this consciously, but it’s just a rooted fact within the human psyche. Anyone harnessing great powers will succumb to their dark side, and force their will upon the weaker to advance their own cause.

So what can be said of such characters? Do they reflect a reality that, in the words of John Dalberg-Acton, “absolute power corrupts absolutely?” Putting Acton’s words more in context, he said: “Power tends to corrupt, and absolute power corrupts absolutely. Great men are almost always bad men, even when they exercise influence and not authority, still more when you superadd the tendency or the certainty of corruption by authority.” An example of this in fantasy fiction can be found in The Neverending Story. The main character, Bastian, becomes corrupted after obtaining the talisman, AURYN, given to him by the Childlike Empress. AURYN gave him the power to wish for whatever he wanted in the land of Fantastica. Consumed by the world he created with his wishes—creating havoc for the creatures of Fantastica—Bastian comes to the brink of wanting to conquer the Childlike Empress so that he can become the Childlike Emperor.

What would a work of fantasy fiction be like if the tables had turned? What if the all-powerful ruler was benevolent and good, ruling his people with peace, kindness and justice, but evil characters attempt to rise up to subdue them? Makes you wonder how such a story could work.

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Saturday, July 20, 2013

The Elf Ingredient


When I was a kid, whenever someone talked about elves, the first thing to come to mind were the little people that helped Santa make toys at the North Pole; or those little men that helped the poor cobbler make an abundance of shoes while he slept at night; or those little Keebler elves that made awesome cookies. And don’t forget Snap, Crackle and Pop, the elf mascots for Kellogg’s Rice Krispies. Richard Doyle’s illustrations in Andrew Lang’s 1884 fairy tale, The Princess Nobody, gave us the image of cute little elves, as described in Lang’s fairy tale.

When I discovered Tolkien’s tall, beautiful beings of Middle-earth I thought to myself, “these are elves?” Fairy tales and children’s fiction had given me images of little people with pointy ears in stockings; and I was oblivious to Norse mythology, which is where modern fantasy derived it’s depictions of elves. With characters like Legolas, Elrond and Lady Galadriel, Tolkien sparked a love for elves, and writers of the fantasy genre have been staffing their books with elf characters ever since.

Next to dragons, elves have to be the most widely used mythical character in fantasy. Before fantasy was even a genre in literary fiction, The King of Elfland’s Daughter by Lord Dunsany was published in 1924. The novel is a fantasy classic, telling the story of the mortal man, Alveric, who ventures to Elfland to find and marry the lovely elf princess, Lirazel, the daughter of the King of Elfland. Alveric weds Lirazel and they have a son together, but Lirazel grows homesick for Elfland, and Alveric has to search for her again, after she leaves for her homeland. It’s a fantastical story with poetic prose, complete with elements of magic and romance, with a witch, unicorns and a troll as part of the journey. Lord Dunsany’s novel surely is part of the roots of modern fantasy; but Tolkien’s release of The Hobbit in 1937 was big, and, nearly two decades later, The Lord of the Rings became even more significant. Elves in fiction had never been portrayed like what was seen in Middle-earth, and this pretty much set the standard for modern fantasy fiction.

One cannot leave out Poul Anderson’s 1954 (forgotten) classic, The Broken Sword, which is grittier and faster paced than Tolkien’s work; and is heavy in the Norse myth in regards to the elves and the setting. The elves in this book are not worth remembering like Tolkien’s crafted characters.

Elves have continued throughout the works of many fantasy writers in their series for decades; like Terry Brooks with his Shannara books, Raymond E. Feist with his Riftwar Cycle series, as well as the Dragonlance and Forgotten Realms novels. The aim these days is to break the Tolkien tradition of elves; and there was even a period where there was focus on producing more dark and evil elves.

Probably the most famous of the dark elves (or drow—ebony-skinned elves) is Drizzt Do’Urden. Drizzt was created by author R.A. Salvatore, and written about in 18 different novels (introduced in the Icewind Dale Trilogy, but made most popular in the Dark Elf Trilogy). Dark elves are known for being evil (generally) and living underground, but Drizzt chose to forsake his people’s evil ways, taking to the surface, where he learned to be a ranger and eventually became a hero in Northwest Faerûn.

Two compelling series of fantasy fiction where elves were depicted as cruel overlords are the Halfblood Chronicles by Andre Norton & Mercedes Lackey, and the Annals of Drakis by Tracy Hickman. In the Halfblood Chronicles, the elves came from another dimension and took over the Earth, enslaving mankind. In the Annals of Drakis, elves have built an empire where they enslaved many races by the use of aether magic, which makes the slaves forget their past, and they think their lives are fine and noble under the rule of the elves. The difference with the elves in Hickman’s series is that they are not the attractive elves we’ve come to know in the genre. These elves have elongated heads, sharp teeth and black eyes. Basically, they’re kind of creepy; especially when one of the females has a thing for the human hero of the story.

There are so many books that I could point to that harbor elves within their pages. Like many ingredients used in fantasy fiction, this is one that has been used in epic/high fantasy abundantly. Elves have been key characters in high fantasy since the beginning; and there looks to be no end in sight.


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The Dragon Ingredient