Honoring Black Authors of Science Fiction/Fantasy - VIDEO

Since February in the U.S.A. is Black History Month, I thought I’d share the short video below from Open Road Media, honoring black authors of Science Fiction/Fantasy.

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People of Color in Fantasy 

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People of Color in Fantasy

For several years now there has been quite a bit of discussion, debate and ranting about the lack of people of color in the science fiction and fantasy genres. The greatest of these discussions is probably what was found in 2009 on Live Journal, under RaceFail ’09. RaceFail ’09 brought together a heap of blog postings and comments on the topic of race in SFF. It’s an important conversation to have, and it’s great that we’re having it; and I believe such talk will eventually produce more diversity in fantasy fiction.

Of course, the main argument here is that there’s an utter dominance of white characters in the fantasy genre. Inasmuch, the genre predominately consist of white writers. Why is that? That’s the question we should be focusing on. The creative force behind fantasy is mostly from white people. The premise in which modern fantasy stems from is of Norse and Western European mythology. The initial writers of fantasy were from white, western society. The white, western society published and sold such fiction. The white, western society purchased and supported fantasy fiction. The white, western society was inspired by the genre and wrote more of it—from their worldview. And so the cycle went on. I don’t understand the shock and disappointment of folks when they see the dominance of white characters and white writers in the fantasy genre. What did they expect?

Now, growing up I did not read much at all. My love for fantasy started with television and cinema. Cartoons like Bass & Rankin’s The Hobbit, The Last Unicorn, He-Man and the Masters of the Universe, Dungeons & Dragons and ThunderCats, were like the best things ever. Movies like The Dark Crystal, Conan the Barbarian and Conan the Destroyer (with Arnold Schwarzenegger), as well as Legend, were all epics to me that I watched over and over again. I started reading fantasy by the time I was in high school, and haven’t looked back since.

One key point that is brought up the most is the lack of non-white protagonists in fantasy—that readers of color have no characters to relate to. Personally speaking, this was never a problem for me growing up, because I didn’t really think about it. I was just entertained, and that’s what I really cared about—and that’s what I still care about; however, a good story is most important to me now. The cartoons and movies that I cited above still had characters of color (as supporting characters). Diana in the Dungeons & Dragons cartoon series was a black girl, and was skilled and quite the leader at times. Panthro in the ThunderCats series was basically the black character in that show (even though he was grayish-blue)—the voice of Panthro was performed by Earle Hyman, who played Cliff Huxtable’s (Bill Cosby’s) father on The Cosby Show. James Earl Jones played the villain in Conan the Barbarian. In Conan the Destroyer, Wilt Chamberlain and Grace Jones played supporting roles, and both of the Conan movies featured Mako Iwamatsu (a Japanese-American actor) who played Akiro the Wizard. In The Beastmaster, John Amos (in which I knew as James from the sitcom Good Times) had a supporting role. So I never felt like I didn’t see people of color in the fantasy that I watched growing up. Yet, of course, there were no people of color in leading roles in such programs or films then.

It wasn’t until later in my life, as I began to read fantasy fiction, that I started to think about the lack of people of color in fantasy, especially as the protagonist. But my first thought was not: “How come these fantasy writers are not writing about people of color?” It was more like: “How come people of color do not write fantasy?” I posted about this last April (see here). I don’t think people should be pointing fingers at white writers, telling them how non-diverse they are, or how racist they are because their made-up worlds only consist of white characters, or very few people of color. It’s okay to challenge them, but don’t degrade them or their work. I don’t believe people should tell others what they should do with their art. Writing/storytelling is an art; and if a white writer wants to tell their story where people of color are few to none, that’s their right, and they shouldn’t be criticized for taking that route. I bet there would be no fuss over a black writer writing fantasy with only black characters in it—with the setting based in pseudo-Africa.

My point is, people should not expect white writers to write non-white protagonists. The burden should not be on them, but on people of color who are writers, and who love the fantasy genre. Why is it that I can count on one hand the number of black writers writing mainstream epic fantasy—Charles R. Saunders, N.K. Jemisin, Nnedi Okorafor, and David Anthony Durham—and I’m stretching on a couple of these. There are black writers that write other aspects of speculative fiction (Samuel R. Delany, Octavia Butler, Steven Barnes, Tananarive Due, and Nalo Hopkinson,  just to name a few), but this blog focuses on fantasy fiction.

Apart from black writers, there seems to be only a few other non-white writers writing in the genre (on the mainstream level). Saladin Ahmed is an Arab-American fantasy writer who’s receiving acclaim for his first book in his Crescent Moon Kingdoms series. Ellen Oh is a Korean-American who’s having success with her YA Fantasy series The Dragon King Chronicles. Chinese-American author, Cindy Pon, has her books, Silver Phoenix and Fury of the Phoenix, seeing success in the YA Fantasy category as well. Over in India, Amish Tripathi is like a “literary pop star” due to the J.K. Rowling-like success he’s having in India for his Shiva Trilogy, which is based on Indian mythology. He’s considered to be the bestselling Indian author of all time.

There are books by white authors with protagonist of color. Irish author Col Buchanan’s Heart of the World series has a diverse world, where its protagonist, Ash, is a black man, in his sixties, who makes quite an interesting character in the series. The latest Wizards of the Coast book in The Sundering series, called The Reaver by Richard Lee Byers, features the  “mahogany brown” protagonist, Anton Marivaldi—he’s on the super-cool cover below. In Anne Elisabeth Stengl’s diverse Tales of Goldstone Wood saga, book 4, Starflower, describes the title character as having rich dark brown skin and glossy black hair. A novella in the same saga, Goddess Tithe, which was released late last year has an Asian protagonist, in which will carry on into the next full-length novel, Golden Daughter (due out in Autumn of this year). The Circle of Magic tetralogy by Tamora Pierce, as well as The Circle Opens quartet, have protagonists of color. Also, Ursula K. Le Guin’s YA Fantasy series, Annals of the Western Shore, feature protagonists of color. And Brent Week’s Lightbringer trilogy is based in a Mediterranean-like world, and the majority of the characters are of color, some even having kinky hair—and they’re not just side characters.

The above list is not exhaustive, but they’re books and authors that I’m familiar with in the mainstream. Other fantasy series, though they do not have main characters of color, include non-white characters in their worlds. Robert Jordan’s Wheel of Time series have the Sea Folk (also known as Atha’an Miere), who have very dark skin, as well as other dark and olive-skinned peoples. Karen Hancock’s Legends of the Guardian-King books have the mahogany-skinned Esurhites. Hancock’s hero is blond-haired and blue-eyed, and his first love (his first wife) is a woman of “honey-colored” skin and dark eyes. Urulani is a strong, black warrior woman in Tracy Hickman’s Annals of Drakis trilogy who becomes very important to the protagonist, Drakis, giving the trilogy an ending I have yet to see in any other work of epic fantasy (Urulani is also featured on the cover of book 3 with Drakis). The wise wizard, Ogion, from Ursula K. Le Guin’s Earthsea books was a Gontishman, who had dark copper-brown skin.   

Returning to my point about people of color taking the burden, or responsibility, to write fantasy fiction; I’d like to mention that David Anthony Durham stated that he was one of those kids who didn’t really read until he discovered The Hobbit, Lloyd Alexander, and Ursula K. Le Guin. He said, “They were so much for me. They were my gateway into literature.” Durham wrote three historical literary novels prior to writing fantasy. “…but I got a hankering for fantasy,” he said, “because it seemed, in a way, dishonest to spend so much time being this literary writer without paying some tribute to the genre that got it all started for me.” I think Durham lays it out perfectly here. He’s an author of color who was influenced by fantasy fiction. He felt compelled to write in the genre that inspired him in the first place. People of color who love fantasy fiction and want to write should hone their skill, write a darn good story, and take the long road of sacrifice to get the best of their work published mainstream.

If you don’t see a story in fantasy that you can fall in love with, or that satisfies that itch that you’re looking for, then take up the responsibility to write it—and writing it exceptionally. Ellen Oh didn’t sit back and wait for a (white) author to write in a Korean-like setting, she took it upon herself. In an interview she says, “I chose ancient Korea for two specific reasons: the first was just practical—I couldn't find anything like a fantasy adventure story set in ancient Korea in libraries or bookstores; the second was more personal—ancient Korea was such a fascinating, turbulent time with kingdoms changing, collapsing, being taken over, dealing with amazing politics and endless intrigue.” She was inspired by the thought of a story that she wanted to see written, and she wrote it.

So before people start wagging the accusing finger of shame at white writers who write white characters, they should direct their discourse toward publishers. So if publishers are deliberately turning away works of fantasy fiction because the author and/or the protagonist are of color, and not based on the quality of the work, then shame on them, and they should be called out for it if it is proven true. Otherwise, there’s no real evidence that publishers are doing such things today, as you can see from the examples of authors and books mentioned above. However, there was the whole controversy that happened with Bloomsbury Publishing a few years ago where they “white-washed” the cover of Jaclyn Dolamore’s novel, Magic Under Glass, releasing the book with the image of a white girl on the cover when it was obvious that the protagonist was a girl of color. The same publisher had did the same thing with a non-fantasy YA book, Liar, just before that. The publisher did eventually correct their “mistake.” You can read about it here. Such a thing is disgraceful, and it’s good that the publisher was called out on it.

It’s great that readers and authors are having this discussion abroad. I believe publishers and agents are starting to hear it, and that the ground for more diverse characters, worlds, and stories in fantasy is beginning to be laid and ready for the planting. I’m optimistic that, in the coming years, the fantasy genre will become more varied in its content. Young literary agents are already saying that they are looking for more diverse and multicultural fantasy fiction. So this should be a glimmer of hope for readers and aspiring authors craving such things.

It’s nice to see publishers like Lee & Low Books, with their Tu Books imprint, focusing exclusively on diversity in genre fiction for young readers. It’s good to see the horde of blogs, forums and Twitter discussions out on the world-wide-web calling for such diversity. Once consumers (readers) begin to demand change from the supplier (publisher/author), then they’ll begin to see results. This is the beginning of a new evolution in the fantasy genre.


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Discussion Panel on Black Speculative Fiction - VIDEO

Back in April of this year, I posted about the rarity of black fantasy authors. Below is a link to a video of a panel discussing the State of Black Science Fiction at the 2012 DragonCon in Atlanta, GA. This blog concentrates mostly on epic fantasy, but I found this discussion worth sharing, and think it is very relevant to my post in April.

View video here.


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Black Authors Writing Fantasy…Where Are They?

Several years ago, a thought crossed my mind, wondering if there were black authors that wrote Epic Fantasy. I couldn’t really think of one. I was at a writer’s conference back in 2003, and I was talking with an editor from Tor, and I mentioned to him that I was not familiar with any black authors writing in the fantasy genre. He mentioned Steven Barnes and the Dark Matter anthology, but that was pretty much it. When I researched Steven Barnes and the Dark Matter anthology, I discovered that the fiction was mostly Sci-Fi and Speculative Fiction; with maybe some Urban Fantasy. That still wasn’t quite what I was looking for. Where were the black authors writing Epic Fantasy? Something set in another/alternate world, with characters of color. I couldn’t find any at that time. After that, I pretty much gave up and continued reading what is normally available in the genre (at the mainstream level, of course). A few years ago, again, I started looking for black authors writing fantasy, and I stumbled upon N.K. Jemisin, a little before her book, The Hundred Thousand Kingdoms, was released. I thought, cool, finally a black author writing fantasy—and it’s a woman, which is even cooler. Later on, I discovered David Anthony Durham, with his Acacia book coming out. Again, I thought cool. These two authors have put out some pretty solid fantasy, and the books and their series are being well received. Then I thought: But…is this it? Just these two authors? Nnedi Okorafor has some works of YA fantasy which is being well received; they are not Epic Fantasy, but they are pretty imaginative.

Back in the late 70’s and early 80’s, DAW Publishing (a major Sci-Fi/Fantasy publisher) published 4 books by Charles R. Saunders. This was the Imaro series, which is kind of like a “black Tarzan”, in comparison to Edgar Rice Burroughs' Tarzan and Robert E. Howard's Conan the Barbarian. Imaro takes place in an alternate Africa; an epic adventure with sorcery wars and stuff. The books were not well received when first published and went out of print pretty quick. A few years ago, these books were re-released. So, I can see Charles R. Saunders pretty much being the first black writer to put out fantasy books (correct me if I’m wrong). Despite the history of the series’ failure, a major publisher published the books. Maybe Mr. Saunders was ahead of his time back then, or it was bad marketing on the publisher’s part; or maybe readers in general (black or white) were not in to Imaro, the great African warrior. I have not read any of the Imaro books, but I read a little of the excerpt on Amazon.com, and I thought the beginning was pretty good. I’m not a fan of heroic fantasy, so I’m still weighing whether or not I will try reading the books.

So, why are there not more black authors writing Epic/High Fantasy? I think the answer is pretty easy… Black people, in general, are not in to fantasy. The same could be true of other people of color (Latinos, Asians, etc). I think Americans in general love watching the big fantasy movies like Lord of the Rings, Chronicles of Narnia, etc; and people of color will watch those movies, but cinema is a different medium than the written word. When I was growing up, movies like The Dark Crystal, Legend, and the Never-ending Story (and Star Wars, of course) were like the best thing to me. Watching cartoons like He-Man, Dungeons & Dragons, Smurfs, and The Hobbit were so cool to me, because of the fantastic elements. Now, those movies and cartoons I’ve mentioned were a few of many that I enjoyed (Conan the Destroyer, with Arnold Schwarzenegger, was one of my favorites back then), but I couldn’t have been the only black kid that dug that stuff. Surely, black kids all over the nation loved these movies too…right? And they grew up and wanted to write stories about fantastic worlds and characters…or are people like me the exception? It sure feels that way. There is always a few.

When I was a kid, I loved walking to the Sci-Fi/Fantasy section of the bookstore (back when there were a lot of them) and looking at the great covers, thinking that the pages within were just the best stories of all time--and there were so many to choose from. Well, I didn’t start reading fantasy until my late teens (probably more after high school), and I found out, that despite the really cool book covers, not all the stories were all that fantastic. I thought maybe it was just me. Maybe I’m reading the books wrong. After a while, I discovered that I was just plain finicky, and not all these stories were so great. Even if there are a lot of people praising the book(s) (hint: The Wheel of Time series).

So, getting back on topic, I can only conclude that Epic Fantasy is not the genre that a lot of black writers desire to tell their stories. How many writers and publishers out there are afraid that the same thing that happened to Imaro over 30 years ago would happen again. But, hopefully, it’s not like that now. Hopefully, a good story can just sell because it’s a good story that readers enjoy; not because of who wrote it and what ethnic the characters are. My hat off to the handful of authors mentioned above that wrote their stories within the fantasy genre, and giving the genre different kinds of characters than what we are used to seeing. I think the genre needs more diversity; and maybe this would be the next fad. Who knows?   


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