Science
Fiction and Fantasy are two genres that have been grouped together for as long
as I can remember (even longer than that, actually) and it’s not really too
hard to see why. As a child growing up in the 80’s, seeing a mash-up of
spaceships, robots, swords and magic was common in the realm of cartoons and
movies; such as, He-Man and the Masters
of the Universe, Thundercats, Krull, Heavy
Metal and Flash Gordon. But there were books mixing these two genres
together way before the 80’s.
A
ground-breaking novel of its time, Dune
by Frank Herbert, published in 1965, is a story set in the distant future with
interstellar space travel, politics, religion, technology and ecology. Often
called the greatest science fiction novel of all time, Dune holds an authority in the science fiction genre like no
other. Dune is like science fiction’s
Lord of the Rings; in the words of
science fiction writer Arthur C. Clarke: “Dune seems to me unique among novels in the depth of
characterization and the extraordinary detail of the world it creates. I know
nothing comparable to it except The Lord of the Rings.” The journey and mystic
feel of the novel gives the story an appeal that fantasy readers can gravitate
to—with psychic powers in place of magic, swords as weapons, prophecies and the
semi-feudal political structure of the empire. Douglas Cohen explains on
Tor.com how Dune is science fiction for fans of fantasy—that post is here.
Another
popular science fiction series is the Dragonriders
of Pern series by Anne McCaffrey—the first book, Dragonflight, published in 1968. One would think with the word
“dragon” in the titles, and the covers of these books showcasing this
fantastical creature, that the Pern
novels were straight fantasy. But, again, we’re dealing with a story that takes
place in the distant future, were mankind inhabits a planet called Pern, but
society is reduced to a more post Middle Ages-type of setting with low technology.
The dragons are basically “animals” genetically modified so that the humans can
communicate with them through telepathy and use them to fight off virus-like organisms
called Thread. Again, it is psychic abilities that give the characters their
“magic-like” abilities.
One
who has often been accredited as one of the founders of “science fantasy” is Christopher
Stasheff, who had his first book in the Warlock
of Gramarye series published in 1969. The first book, called The Warlock in Spite of Himself, tells
the story of undercover agent, Rodney Gallowglass, who discovers a planet
called Gramarye inhabited with people who dwell within a medieval-type
civilization. Riding around on Fess, his robotic companion—who takes the guise
of a robot horse—Rodney Gallowglass’s use of technology makes him a wizard in
the eyes of the inhabitants. There are other parts of the series where “real”
magic comes into the act. These books are not trying to be science fiction, nor
are they trying to be fantasy. The author uses the components of both genres to
kind of illustrate his political views within an adventurous story.
Even
earlier than the works mentioned above, Edgar Rice Burroughs’ Mars (or Barsoom) series, starting with the
publication of A Princess of Mars in
1917, told the story of John Carter from planet Earth finding himself on Mars
and having great strength and special abilities, making him renown as a
hero on Mars—a work containing a lot of fantasy-like overtones. Later authors,
like Jack Vance, Arthur C. Clarke and John Norman, were inspired by Burroughs’ Barsoom series. John Norman’s Gor series, first published in 1966 with
Tarnsman of Gor, goes along the same
vein as Burroughs’ Barsoom series—a man from Earth going on
a journey within an alien planet. Books like these tend to fall under the
subgenre phrased as “Sword and Planet”, a phrase said to have been invented by
Donald A. Wollheim (founder of DAW books) in the 60’s. Sword and Planet
pertains to science fantasy stories which take place on other planets, where
the protagonist is usually someone from Earth and the combat is usually
hand-to-hand, with swords as the typical weapon.
Hard
Science Fiction is based entirely on more plausible science within the story,
but in the “softer” Science Fiction you will find stories where physic powers
and telepathy are the “magic” within the stories, found in many books like the Saga of the Pliocene Exile by Julian May
and Marion Zimmer Bradley’s Darkover
series, in addition to Dune and the Pern novels.
Now,
I can’t go away without mentioning Star Wars. I won’t say much about it because
I have already discussed Star Wars a couple of years ago on this blog (you can
read about it here), but I think what
makes Star Wars such a huge success is because it’s a perfect mix of science
fiction and fantasy with great adventures and unforgettable characters.